
Montparnasse Station (above) and The Seer (below) (both images taken from Wikimedia Commons)

I also, however, combined elements of his style with Kandinsky’s theories, pulling them together into this painting:

As you can see, I utilized the concept of warm colors approaching the subject and cool colors receding to emphasize the layering of my painting. I wanted the figures as close to the viewer as possible. I also wanted the background to recede as much as possible. Furthermore, I chose yellow in particular because in that same treatise, Kandinsky described the color as having “a disturbing influence, and reveals in the colour an insistent, aggressive character.” Giorgio de Chirico was known for his unsettling images, so I thought that I might as well try to use yellow to my advantage to try and incite a similar feeling.
Despite whether or not my painting was a successful one, it proves that color theory is still very much prevalent. It is good to work with different color theories, because once an artist, or a designer, has a good grasp over their use of color, they can influence the viewer as they see fit. It is another tool for getting your message across, whether you want to soothe or to unsettle.
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